From Album to Scroll: A Multi-dimensional Analysis of Hong Ren’s "Landscape Album Remounted as a Handscroll"
This article explores the structural and spiritual world of Hong Ren’s "Landscape Album Remounted as a Handscroll" (Shanshui Ce Zhuang Juan). It examines the artist's signature "cold and sparse" aesthetic, his revolutionary use of geometric iron-wire lines, and how the transition from discrete album leaves to a continuous handscroll enhances the meditative experience of his early Qing Dynasty landscape art.
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